Arcane Records Hits 100: Eli Brown & Pan-Pot's 'Coming In Heavy'

Dopamine Machine Records · May 20, 2026

A Milestone That Tells You Something

Record labels don't hit 100 releases by accident. When Eli Brown launched Arcane in the early 2020s, it was partly a practical decision — a home for his own output without the scheduling constraints of licensing to established imprints — but also a statement about how he wanted to move through the scene. Now, with the 100th release landing in the form of a collaboration with Berlin's Pan-Pot, "Coming In Heavy", the label's brief history reads like a deliberate accumulation of purpose rather than just a release count. The track itself is a worthy marker: heavy, hypnotic, and built for the kind of rooms where both producers have spent the better part of their careers.

What the Collaboration Actually Brings

Eli Brown and Pan-Pot represent two distinct poles of underground electronic music. Brown, who comes out of the UK's post-Fabric circuit, has evolved from early house-inflected productions into the kind of peak-time tech house that operates with mechanical confidence — nothing wasted, every element in service of the floor. Pan-Pot — Thomas Benedix and Tassilo Aust — have spent two decades building a body of work rooted in Second State Records and the Berlin underground, where the expectation is that a record earns its dancefloor moments over the full duration of a set.

The result on "Coming In Heavy" is a track that carries both influences without hedging. The low-end is genuinely heavy — not polished-heavy but structural, the kind of rolling sub-bass pressure that changes the feel of a room. Brown's precision in drum construction is audible throughout; the percussion locks to Pan-Pot's characteristic sense of negative space, where what's absent in the mix is as deliberate as what's present.

The Sound: Breaking Down 'Coming In Heavy'

For a track with a title as direct as this one, the production is surprisingly patient. The build relies on textural additions rather than conventional automation sweeps — synthesised elements arrive and decay at irregular intervals, creating a sense of forward momentum that doesn't telegraph its destination. The drop, when it comes, delivers on the low-end promise of the opening bars: tight percussion, a bass line that operates in the sub register, and a groove architecture designed to hold a floor for an extended stretch.

At 130 BPM it sits squarely in tech house territory, but the construction is closer to Berlin-influenced techno in its willingness to let a groove develop across several minutes before introducing significant variation. That patience is Pan-Pot's contribution, structurally. The sharpness and attack in the drum programming reads like Brown's work. Both are present throughout, and neither is subordinated.

Arcane Records at 100

Running an independent label to 100 releases in a climate where streaming economics have compressed the commercial logic of physical and digital sales is not a trivial achievement. Resident Advisor's label coverage has noted Arcane's consistency in avoiding the genre dilution that affects many artist-run imprints when they expand beyond their founder's core sound. The catalogue has stayed within an identifiable aesthetic corridor — heavy, purposeful, underground-facing — while bringing in a range of artists who reinforce rather than blur the label's identity.

A 100th release collab with Pan-Pot is a considered choice for a milestone like this. It signals that Brown is interested in dialogue with the parts of the underground that predate his own generation of artists, rather than consolidating the tech house lane he already occupies comfortably. That's the kind of strategic thinking that tends to produce interesting second and third decades for an artist-run label.

Where to Find It

"Coming In Heavy" is available now on Beatport, Traxsource, and major streaming platforms through Arcane Music. Both the original mix and the extended DJ version are in circulation. Given where both artists are sitting in terms of booking frequency in 2026 — Brown appeared on the Toffler Festival bill this month, Pan-Pot remain a fixture at DC-10 and beyond — the track is likely to get substantial road-testing before the summer is out.

For a release carrying the weight of a label milestone, "Coming In Heavy" earns its title without overreaching. That in itself is something worth noting.